Popular music phd thesis online

AMS—Doctoral Dissertations in Musicology

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Popular music phd thesis online

This is based on a concept that has become increasingly prominent in contemporary artistic discourse since the early s: The term refers thesis online art that specifically explores the transformative effect of contemporary technology. This section begins to elaborate the term — which modern architecture popular music phd thesis online us in its infancy, and has been popular music phd thesis online misused and tarnished by attempts to connect it to self-consciously ironic scenes and aesthetics — as I regard it as thesis online useful analytical tool to unify and make sense of the work of many musicians operating online.

I offer a 1 This is a distinction that is made below.

Dissertations for Music Education

Popular music then examine major exponents of this trend, such as DIS Magazine, who have taken the popular music phd of the Post-Internet and afforded thesis online a distinct if problematic aesthetic style.

Connecting this to the present musical context serves to demonstrate that music is thesis online produced that is intrinsically concerned with examining the digital spaces that it occupies, which is a theme that thesis online yet to be unearthed in popular music of contemporary musical production.

It phd thesis online a thesis online definition popular music phd what is meant by the term Post-Internet: The most pressing condition underlying contemporary culture today — from artistic practice and social theory to our quotidian language — may well be the history for college students of the Internet.

Though the terminology with which we describe these phenomena is still nascent and thesis online yet in widespread use, [ From the changing nature of the image to phd thesis online circulation of cultural objects, from the politics of participation to thesis online understandings of materiality, the interventions presented under this thesis online attempt nothing short of the redefinition of art for the age of the Internet.

Popular music phd thesis online

In other words, as alluded to above, the Post-Internet era is defined by a full comprehension of and accepted cohabitation with the systems, technologies, communicative processes and identity politics that comprise the web. It refers to those brought up in the popular music phd thesis online millennial era with little experience of a world without smartphones, constant connectivity or social media.

It differentiates, say, those that were born or reached pubescence in the mids or later from those born earlier: This is obviously not to suggest that people over a certain age are in some way incapable of understanding or utilising online spaces, of course. That would be a severely unsubstantiated argument, and it is not the perspective promoted by Post-Internet popular music phd thesis online.

Doctoral Dissertations in Musicology

However, if someone has spent their entire conscious lives surrounded by the digital, and therefore has no comprehension of a world without it, their Post-Internet condition dictates that they are entirely receptive to or even at one with these technologies and virtual spaces.

This internalisation is far more relatable to those whose lives have always been intertwined with the Popular music phd thesis online.

Popular music phd thesis online

Archey and Peckham state that Post-Internet art demonstrates a consciousness of the networks within which it exists, from conception and production to popular music phd thesis online and reception. It looks at changes taking place in the age of the ubiquitous Internet, from information dispersion and artwork documentation to human language and approaches to art history Archey and Peckham,pp.

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